(Source: theformofbeauty)
Leni Riefenstahl’s “Dance to the Sea” in The Holy Mountain (1926, dir. Arnold Fanck)
(Source: oldhollywood)
Street orphans by Hayashi Tadahiko / 林 忠彦 (1918-1990) Japanese Photographer. This is 1946, at Ueno. Tokyo.
(Source: firsttimeuser, via firsttimeuser)
I long for the days the moon flanks our gracious new beginnings and magical everlasting endings; when “living life” is no longer a catch phrase, but a definition riding parallel to our dreams. Sand and sun, replace stress and strife, begging for company as they pull us along. We no longer seek…
“I spent a great deal of my life being ignored. I was always very happy that way. Being ignored is a great privilege. That is how I think I learnt to see what others do not see and to react to situations differently. I simply looked at the world, not really prepared for anything.” —Saul Leiter
(gallery)
(via firsttimeuser)
Edward Steichen - Therese Duncan on the Acropolis, Athens, 1921.
… from Edward Steichen: Lives in Photography, by Todd Barrow and William A. Ewing, Foundation for the Exhibition of Photography, and the Musee de l’Elysee, Lausanne, 2007.
(via theformofbeauty)
…we go back to our home in dreams and memories, hoping that it remains what it was on a lazy, still summer’s day…